Now, after five revisions and a series of arduous, line-by-line editing sessions between the museum staff and representatives of leading veterans groups, the museum has produced a final script for the proposed Enola Gay exhibit, “The Last Act: The Atomic Bomb and the End of World War II,” that has been cleansed of most of its controversy. No matter your point of view, one thing is clear: The Smithsonian has all but surrendered to the veterans groups and other critics who loudly opposed the museum’s initial exhibit plans on the grounds that they were wildly anti-American and laden with the scent of political correctness. Or call it the triumph of uneducated censorship over legitimate historical inquiry. 6, 1945.Ĭall it a victory for American heritage over the forces of political correctness and revisionism. Under unprecedented public pressure, the museum has drastically altered its original plans for its exhibit marking the 50th anniversary of the Enola Gay’s only mission: the dropping of the first atomic bomb on Hiroshima, Japan, on Aug.
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